1824-1898 French landscape painter. Encouraged at an early age by Jean-Francois Millet, Boudin became a strong advocate of painting directly from nature. In 1874 he exhibited with the Impressionists, but, unlike those painters, he was not an innovator, and from 1863 to 1897 he exhibited regularly in the official Salon. His favourite subjects were beach scenes and seascapes, which show remarkable sensitivity to effects of atmosphere; on the backs of his paintings he recorded the weather, light, and time of day. His works link the careful naturalism of the mid 19th century and the brilliant colours and fluid brushwork of Impressionism.  Related Paintings of Eugene Boudin :. | Nature Morte A La Pomme | Beach Scene | Jetty At Trouville | Lembouchure de la Touques | krinoliner pa stranden i trouville |
Related Artists:
Perino Del Vaga
Italian Mannerist Painter, ca.1501-1547 Italian painter and draughtsman. He trained in Florence, first with Andrea de' Ceri and from the age of 11 with Ridolfo Ghirlandaio. According to Vasari, he practised drawing by copying Michelangelo's cartoon for the Battle of Cascina (destr.). For Pope Leo X's entry into Florence in November 1515 he painted an allegorical figure on one of the twelve triumphal arches. Soon after, an obscure Florentine painter called Vaga took Perino to Rome, where he became known as del Vaga. There he continued his drawing studies, copying from works of antiquity and Michelangelo's ceiling in the Sistine Chapel. On the recommendation of Giulio Romano and Giovanni Francesco Penni, he joined Raphael's workshop, where he learnt stuccowork and how to design grotesques, through assisting Giovanni da Udine in the Vatican Logge. Soon he was painting scenes from Raphael's designs, and five or six ceiling frescoes in the Logge, including the Story of Joshua and the Story of David, are generally accepted as his.
BORGOGNONE, Ambrogio
Italian painter, Milanese school (b. ca. 1453, Fossano, d.1523).
John Seymour Lucas
(21 December 1849 - 8 May 1923) was a Victorian English historical and portrait painter as well as an accomplished theatrical costume designer. He was born into an artistic London family, and originally trained as a woodcarver, but turned his attention to portrait painting and entered first the St. Martin's Lane Art School and later the Royal Academy Schools. Here he met his French wife, fellow artist Marie Cornelissen, whom he married in 1877. Lucase artistic education included extensive travels around Europe, particularly Holland and Spain, where he studied the Flemish and Spanish Masters. He first started exhibiting in 1872, was elected an associate member of the Royal Academy in 1876 and a full Royal Academician in 1898. John Seymour Lucas was first and foremost a historical genre painter with a particular talent for realism in the depiction of costumes and interiors. Inspired by van Dyck and particularly Diego Velezquez, he excelled in depicting scenes from the English 16th to 18th century Tudor and Stuart periods, including in particular the Spanish Armada, Preparing for the Voyage, the English Civil War and the Jacobite rebellions. His first major work to achieve widespread public acclaim was Rebel Hunting after Culloden, executed in 1884. It was praised not only for the obvious tension between the muscular blacksmiths and the redcoated forces of law and order (or repression) but for the extraordinary realism in the depiction of the rough smithy and glowing horsehoe on the anvil. In 1885 his next major work whas "Preparing for the Voyage". As his reputation grew, Lucas increasingly mixed in society circles, and became firm friends with the famous society portrait painter John Singer Sargent who was his almost exact contemporary. A portrait of Lucas executed by John Singer Sargent is displayed in Tate Britain. Towards the 1890s John Seymour Lucas executed a number of major works for prestigious public buildings or royal clients. These include: The Flight of the Five Members (Houses of Parliament), The Granting of the Charter of the City of London (Royal Exchange), Reception by HM King Edward VII of the Moorish Ambassador (Royal Collection), HRH the Prince of Wales in German Uniform (Royal Collection) Apart from executing over 100 major oil paintings and a host of drawings, Lucas was renowned as a set and costume designer for the historical dramas popular on the late Victorian and early Edwardian stages. One of his more unusual commissions was the "Duke of Normandy" costume for the ill-fated prince Alfred of Saxe Coburg-Gotha for the Devonshire House Ball in 1897. Lucas was also a prolific watercolour painter and was elected a member of the Institute of Painters in Water Colours in 1877. During most of his artistic career, John Seymour Lucas lived in a purpose-built studio in South Hampstead, London, designed for him by his friend and fellow artist, architect Sydney Williams-Lee. He retired from painting towards the end of World War I, and moved to Blythburgh, Suffolk, where re-designed a house next to the church known as 'The Priory'. Lucas died in 1923 and is interred in Blythburgh church yard. His son, Sydney Seymour Lucas, was also an artist, and illustrator.